Forgeries in the 18th Century and Classical Art: a methodological conundrum.

Cavaceppi – sculptor, restorer, dealer, publisher and forger

The Pope, the Curator, the Milord, and his Dealer: Rome's Red-Hot Antiquities Market in Theory and in Practice

Appunti per una storia del mercato dell’arte nel Settecento veneziano

Il mercato di antichità nel Regno di Napoli nel XVIII secolo: quadro normativo e alcuni casi esemplari

Quattro quadri dipinti per il traverso dipinti in tavola”: El redescubrimiento de Sandro Botticelli y la adquisición de las spalliere del Palazzo Pucci.

Debate de la First Session- Agents and art markets

Philipp von Stosch (1691-1757) and his dominant position in terms of trade, collecting and research of engraved gems in the eighteenth-century Italy

Isabel de Farnesio, Filippo Juvarra, and the Modern Interior at La Granja

Troiano Acquaviva y el mercado artístico romano: un agente al servicio de los reyes de España y Nápoles.

The State Hermitage Museum, Russian buyers of antique and modern gems in the Italian art market in the second half of the 18th century.

“Italy, garden of the world”…or “jardin à l’anglaise” ? British supremacy on the Italian antic art market through the 18th century.

Debate de la Second Session- Agents and art markets II

Alessandro Albani and European Practices of Collecting and Display in the Era of the Grand Tour.

Dispersing a collection in 18th-century Italy: the paintings and statues of the Cybo Malaspina family.

An examination of the art collecting of the first baron Cawdor.

Debate de la primera parte de la Third Session

The King is Dead, Long Live the King’s Things: The Transformation of Private Pleasures into Public Propaganda in Gustav III of Sweden’s Museum of Antiquities

The Russian Grand Tour: sculptures purchased by Count and Countess of the North in Rome in 1782

Debate de la Third Session – Collectors and their collections

Grand Tour Pickings. Antiquities for Georgian Gothic Houses