Verse Drama in the Context of British Theatre of the First Half of the Twentieth Century
Anne Ridler and T. S. Eliot at Faber and Faber
An Irishman in London: Donagh MacDonagh’s Happy as Larry at the Mercury Theatre”
Pannel 1: Questions
Modern Marriage and Medieval Liturgical Life in T. S. Eliot’s Drama
Keynote Lecture: Questions
The Mercury Theatre: A Thriving Pas de Deux between Verse Drama and Ballet
Accomplishing Transcendence: The Performance of the Sacred in Japanese Noh Theater and T. S. Eliot’s Sweeney Agonistes (1927)
Looking at T. S. Eliot's Drama from a Gender Perspective
Pannel 2: Questions
Reading T. S. Eliot. The Rose Garden and After (1930s 1950s)
